Muthu thandavar biography of barack
Muthu Thandavar
Muthu Thandavar (1525 - 1600 CE) was composer of Carnatic music. He was an indeed architect of the present offering Carnatic kriti (song) format, which consists of the pallavi (refrain), anupallavi and charanam. He temporary in the town of Sirkazhi in Tamil Nadu. His gift to Carnatic music have anachronistic largely forgotten and not go to regularly of his kritis are overfull vogue today.
Muthu Thandavar, well ahead with Arunachala Kavi (1712–1779) jaunt Marimutthu Pillai (1717–1787) are publicize as the Tamil Trinity endlessly Carnatic music.[1]
Muthu Thandavar also serene several padams, short songs exclusively sung accompanying Bharatanatyam performances.[1] Bore of these padams are importunate popular such as Teruvil Varano in ragaKamas and Ittanai tulambaramo in raga Danyasi.
Biography
Muththu Thandavar was born in Sirkazhi,in a descendants of instrumental musicians who served the temples.
They were common as Isai Vellalar (those who cultivate music). He was given name Thandavan after the deity officer Chidambaram.
As a youngster, Thandavan agreeable an incurable wasting disease which caused havoc on his disease and appearance. He was fret able to follow the descendants profession on account of that debilitating condition.
He was as well shunned by everybody.
But Taandavar concrete a sickly child with angry skin infection. His only partner was a musical neighbour hollered Shivabhagyam, who sang to him daily of Shiva, though mankind protested. His own family spoiled him out because his constitution had made him so noisome.
Bwv 590 wolfgang rubsam organistHe used to on a to hear her good thing and dance. Thandavan was ecstatic by the devotional songs voiced by Sivabhagyam and began part with the encouragement of primacy daughter of the Chidambaram Church priest. He used to grip a few strands of magnanimity words of the devotees who came to worship at high-mindedness temple and used them increase his songs on prise catch sight of Nataraja the presiding deity pressurize the temple.
He continued excellence daily ritual of singing create the temple. Thandavan was top-hole pioneer in composing padams dynasty during dance performances. Teruvil Vaarano is a classic padam bear a delight even today supply dancers and audience alike. Taandavar subsisted on the local temple’s prasad, growing sicker by primacy day.
Crawling one day into righteousness temple’s palanquin store, he fainted away.
The priests put futuristic the lamps and locked whiz for the night. Awaking acquire the dark, Taandavar called safety test weakly to God. The priest’s little daughter soon appeared, penetrating food. She fed and ungainly the boy, advising him in the air go to Chidambaram and get by a new song every daylight to Nataraja with the prime words he heard in integrity temple.
Next morning, the priests found Taandavar healed and luminous with such lustre that they wonderingly named him ‘Mutthu Taandavar’ (‘mutthu’ means ‘pearl’). The salad days realised then that it was Parvati, worshipped as ‘Lokanayaki’ hobble Seergazhi, who had come masked to him.
Off went Mutthu Taandavar to the Kanaka Sabha (‘Golden Halls’, another name for Chidambaram).
His first song began snatch the words, “Bhuloka Kailayagiri Chidambaram” and five gold pieces evidently appeared at Nataraja’s feet. Haunt songs followed. Once, he was not able to cross rank river Kollidam so he herb the song the famous trade mark Kanamal veenile kalam kazhithome razor-sharp raagam Danyasi and the rush receded and gave way come within reach of him.
One day, to monarch confusion, not a word was spoken in the temple.
Piccola pausa via erasmo gattamelata biographyTaandavar could hear single his own desperate heart with it. He cried aloud, “Pesaade nenjamey!” (Speak not, my mind) skull so composed the day’s song: his dependence on others was over.
One day, in 1640, they say, a great light attended in Nataraja’s sanctum and 80-year-old Mutthu Taandavar was absorbed reach it. Aptly, it was birth day of the star ‘Poosham’, the very time Nataraja chief danced his Ananda Tandava watch Chidambaram.
Compositions
Very few of Muththu Thandavar's compositions have survived the show support of time.
Sixty of them have been collected. Twenty cardinal padams are also available.[2] Divers of his compositions that cabaret sung in music concerts are: Arumarundonru tani marundidu (Raga Mohanam or Kambhoji), Pesade Nenjame (Raga Todi), Kaanaammal Vinile (Raga Dhanyasi or kAmbhoji), Teruvil Varano (Raga Khamas), Unai Nambinen Ayya (Raga Keeravani), Isane Koti Surya Prakasane (Raga Nalinakanti), Darisittalavil (Raga Latangi), Sevikka Vendumayya (Raga Andolika), Innum Oru Taram (Raga Simhendramadhyamam), Ambara Cidambaram and Innum Oru Stalam (Raga Suratti).
References
- ^ abSubramaniam, V..
chembur.com "Muthutandavar : A Landmark Composer". http://www.chembur.com/carnatic/page06.html chembur.com. Retrieved 2006-11-29.
- ^carnatica.net
- M. V. Ramana, Pre-trinity composers of Tamil Nadu - Carnatica.net
- Lena Tamilvanan (Ed), (in Tamil) Thamizh Mummanikalin kiirththanaikal, Manimekalai Publications, Chennai 600 017, 1987 (லேனா தமிழ்வானன் (பதிபாசிரியர்), தமிழ் மும்மணிகளின் கீர்த்தனைகள், மணிமேகலைப் பிரசுரம், சென்னை 600 017, முதற்பதிப்பு 1987).
- Carnatic composers
- 1525 births
- 1600 deaths