Composer | Work | Conductor and Soloist(s) | Performance | Premiere |
---|
Gregory Spears | Castor and Patience (opera) | Kazem Abdullah | July 17, 2022 | World |
Gabriela Ortiz | New Work | Louis Langrée | May 14–15, 2022 (scheduled) | World |
Guillaume Connesson | Oboe Concerto | Dwight Parry, oboe | May 6–7, 2022 (scheduled) | World |
Julia Adolphe | Paper Leaves on Fields of Clay | Louis Langrée | April 8–9, 2022 (scheduled) | World |
Kinds of Kings | New Work for Eighth Blackbird allow Orchestra | Louis Langrée & One-eighth Blackbird | March 25–27, 2022 (scheduled) | World |
Mark Simpson | Violin Concerto | Louis Langrée & Nicola Benedetti, violin | January 14–15, 2022 (scheduled) | U.S.Biography william shakespeare |
Sebastian Currier | Track 8 | Louis Langrée | November 19–20, 2021 (scheduled) | World |
Christopher Cerrone | A Body, Moving | Louis Langrée | April 9–11, 2021 | World |
William Winstead | Passages in Time | Louis Langrée | January 18–19, 2020 | World |
Francisco Coll | Hidd'n Blue | Gustavo Gimeno | October 25–26, 2019 | U.S.
|
Christopher Rouse | Symphony No. 6 | Louis Langrée | October 18–19, 2019 | World |
Gabriella Smith | f(x) = sin2x - 1/x, for orchestra | Eun Sun Kim | September 28–29, 2019 | World |
Bryce Dessner | Concerto for Combine Pianos | Louis Langrée, Katia & Marielle Labèque, duo pianos | September 20–21, 2019 | U.S.
|
Shara Nova | Look Around | arr. Nate Thatcher | August 3, 2019 | World |
James MacMillan | Credo | Juanjo Mena | May 25, 2019 (MF) | North American |
Mark Simpson | The Immortal for solo singer, semi chorus, optional large choru,& orchestra | Juanjo Mena | May 17, 2019 (MF) | U.S.
|
Clarice Assad | Cantos da Terra: Borboleta | Matthew Swanson | April 14, 2019 (MF) | World |
Jonathan Bailey Holland | Ode | Louis Langrée | November 9–10, 2018 | World |
Pierre Jalbert | Passage | Louis Langrée | April 14–15, 2018 | World |
Enrico Chapela | Radioaxial | James Gaffigan | April 6–7, 2018 | World |
Emily Cooley | Abound | Louis Langrée | November 24–25, 2017 | World |
Julia Adolphe | Equinox for Chorus | Louis Langrée & May Festival Troupe | November 4–5, 2017 | World |
Jonathan Bailey Holland | Stories from Home | Louis Langrée | October 5–7, 2017 | World |
Bryce Dessner | Wires | Matthias Pintscher & Bryce Dessner, guitar | January 14, 2017 | U.S.
|
Michael Fiday | Three for One | Louis Langrée | November 25–26, 2016 | World |
Gregory Spears | Fellow Travelers (opera) | Mark Illustrator | June 17, 2016 | World |
Julia Adolphe | See Dream Elegies senseless Chorus, Oboe, And Cello | James Conlon | May 22, 2016 (MF) | World |
Alvin Singleton | Prayer for character solo, chamber choir, and outfit | James Conlon | May 22, 2016 (MF) | World |
Zhou Tian | Concerto for Orchestra | Louis Langrée | May 13–14, 2016 | World |
Thierry Escaich | Psalmos, Concerto for Orchestra | Louis Langrée & Thierry Escaich, organ | May 6–7, 2016 | World |
Bryce Dessner | Réponse Lutoslawski | Louis Langrée | March 19, 2016 | U.S.H.g. wells biography |
Gunther Schuller | Symphonic Triptych | Cristian Mâcelaru | January 22–23, 2016 | World |
Sebastian Currier | Flex | Louis Langrée | November 19–21, 2015 | World |
TJ Cole | Elegy | Louis Langrée | November 13–14, 2015 | World |
Jonathan Singer Holland | Equality | Louis Langrée | November 13–14, 2015 | World |
Kristin P.
Kuster | Forgive | Louis Langrée | November 13–14, 2015 | World |
Daníel Bjarnason | Collider | Louis Langrée | March 14, 2015 | World |
Caroline Shaw | Lo | Louis Langrée & Caroline Shaw, violin | March 13, 2015 | World |
André Previn | Concerto for Violin, Cello, and League together | Louis Langrée, Jaime Laredo, skin game & Sharon Robinson, cello | November 21, 2014 | World |
David Lang | mountain | Louis Langrée | March 22, 2014 | World |
Nico Muhly | Pleasure Ground | Louis Langrée & Nathan Wyatt, baritone | March 21, 2014 | World |
Zhou Tian | Poem from a Vanished Time | Mei-Ann Chen & Timothy Lees, funny business | March 23–24, 2013 |
Philip Glass | Cello Concerto No.
2, Naqoyqatsi | Dennis Uranologist Davies & Matt Haimovitz, artificial | March 30–31, 2012 |
Erkki-Sven Tüür | Piano Concerto | Paavo Järvi & Awadagin Pratt, piano | May 13–14, 2011 | U.S. |
Erkki-Sven Tüür | Fireflower | Paavo Järvi | May 13–14, 2011 |
Charles Coleman | P.
J. Fanfare | Paavo Järvi | May 6–7, 2011 |
Stewart Goodyear | Count Up | Paavo Järvi | March 25–26, 2011 |
Jörg Widmann | Souvenir bavarois | Paavo Järvi | February 3–5, 2011 |
Jonathan Bailey Holland | The Party Starter | Paavo Järvi | January 28–29, 2011 |
Ian Krouse | Out of the Cradle, Endlessly Rocking | Robert Porco | May 21, 2010 (MF) |
Erkki-Sven Tüür | Symphony No.
7, Pietas | Paavo Järvi | September 25–27, 2009 |
Jeffrey Mumford | . . . and symphonies understanding deepening light . . . expanding . . . at any point cavernous | James Gaffigan | March 27–28, 2009 |
Marc André Dalbavie | Concerto for Flute | Paavo Järvi & Emmanuel Pahud, flute | March 20–21, 2009 |
Erkki-Sven Tüür | The Footprint and the Traces | Paavo Järvi | January 16–18, 2009 |
Robert Johnson | prairyerth | Paavo Järvi | May 2–3, 2008 |
Jörg Widmann | Antiphon | Paavo Järvi | March 7, 2008 |
Krzysztof Penderecki | Concerto for Piano and Corps (Resurrection), Rev.
2007 | Krzysztof Penderecki & Barry Douglas, piano | December 7–8, 2007 |
Charles Coleman | Deep Woods | Paavo Järvi | May 3–5, 2007 |
Adolphus Hailstork | Earthrise | James Conlon | May 19, 2006 (MF) |
Aulis Sallinen | Symphony Thumb.
8, Op. 81, Autumnal Fragments | Paavo Järvi | January 20–22, 2005 |
Stephen Paulus | All Things are Passing | Robert Porco | May 23, 2004 (MF) |
Jonathan Lexicographer Holland | Halcyon Sun | Paavo Järvi | April 30 – May 2, 2004 |
Douglas Lowry | Exordium Nobile | Paavo Järvi | September 12–13, 2003 |
Lorenzo Palomo | Concierto de Cienfuegos | Jesús López-Cobos & Los Romeros, guitar | April 25–27, 2003 |
Kevin Puts | Symphony No.
2 | Paavo Järvi | March 7–9, 2002 |
Carl Orff | Tanzende Faune, Op. 21 | Paavo Järvi | November 15–17, 2001 |
Erkki-Sven Tüür | Concierto collect Violin & Orchestra | Paavo Järvi & Isabelle van Keulen, violin | November 15–17, 2001 |
Charles Coleman | Streetscape | Paavo Järvi | September 14–15, 2001 |
Joel Sculpturer | The Smile | Jesús López-Cobos | March 23–24, 2001 |
Randy Edelman | Transcontinental - A Mad Musical Dash Repair the USA | Erich Kunzel | December 1–2, 2000 |
Steven Reineke | Rise be keen on the Phoenix (Fanfare for Orchestra) | Erich Kunzel | December 1–2, 2000 |
Jonathan D.
Kramer | Rewind: Orderly Semi-Suite | Jesús López-Cobos | November 10–11, 2000 |
Ellen Taaffe Zwilich | Millennium Fantasy be thankful for Piano and Orchestra | Jesús López-Cobos & Jeffrey Biegel, piano | September 22–23, 2000 |
Daniel Brewbaker | Cincinnatus Psalm | James Conlon | May 26, 2000 (MF) |
Gideon Lewensohn | Serenata Concertante | Serenata Concertante | May 13, 1999 (MF) |
Kurt Weill | Der Weg der Veheissung: Propheten | James Conlon | May 13, 1999 (MF) |
Robert Johnson | Autunnale for Ribbon, Oboe and English Horn | Jesús López-Cobos, Richard Johnson, oboe & Robert Walters, English horn | April 23–24, 1999 |
George Duke | Muir Woods Suite (for Jazz Piano deed Orchestra) | Jesús López-Cobos & Martyr Duke, jazz piano | April 29 – May 1, 1999 |
Alvin Singleton | Praisemaker | James Conlon | May 22, 1998 (MF) |
Leonardo Balada | Concierto Magico for Guitar and Ribbon | Jesús López-Cobos & Angel Romero, guitar | March 13–14, 1998 |
Joel Hoffman | Millennium Dances | Jesús López-Cobos | September 19–20, 1997 |
Dave Brubeck | Orchestral Entourage from Joy In The Morning | Jesús López-Cobos | January 24–25, 1997 |
Bernard Rands | Fanfare for Orchestra | Jesús López-Cobos | September 27–28, 1996 |
Gunther Schuller | An Arc Ascending | Jesús López-Cobos | June 12, 1996 |
Robert Johnson | Nightpiece (After Blakelock) | Jesús López-Cobos | February 8–10, 1996 |
Dennis Eberhard | For the Musicians of the Queen | Jesús López-Cobos | January 12–13, 1996 |
Edwin London | Fanfarronda | Jesús López-Cobos | November 30 – December 2, 1995 |
Eric Stokes | Fanfare of Rings | Jesús López-Cobos | November 24–25, 1995 |
Franz Lehár | Feiber, Tone Poem | Erich Kunzel & Carsten Süss, tenor | November 10–11, 1995 |
Franz Lehár | Triumphal March | Erich Kunzel | November 10–11, 1995 |
Mary Judge | Fanfare for fastidious Celebration | Jesús López-Cobos | September 22–23, 1995 |
Joel Hoffman | ChiaSsO | Jesús López-Cobos | September 15–16, 1995 |
John Corigliano | To Music Fanfare | Jesús López-Cobos | May 4–6, 1995 |
Frank Proto | Ghost in Machine | Jesús López-Cobos; Cleo Laine, vocalist & Paul Winfield, raconteur | April 28–29, 1995 |
Roque Cordero | Fanfarria Jubilosa | Jesús López-Cobos | April 21–22, 1995 |
Leonardo Balada | Shadows, lend a hand Orchestra | Jesús López-Cobos | March 31 – April 1, 1995 |
Steven Stucky | Fanfare for Cincinnati | Jesús López-Cobos | March 10–11, 1995 |
Fred Lerdahl | Without Fanfare | Jesús López-Cobos | March 10–11, 1995 |
Michael Schelle | Centennimania | Keith Lockhart | March 2–4, 1995 |
David Stock | Fanfarria | Ivan Fischer | February 24–25, 1995 |
Philip Koplow | Clear to the Last Ocean | Ivan Fischer | February 17–18, 1995 |
Marc Neikrug | Flamenco Fanfare | Pinchas Zukerman & Eric Kim, phoney | December 1–3, 1994 |
Gerald Flat | Fireworks for Large Orchestra | Sir Andrew Davis | November 25–26, 1994 |
Marta Ptaszynska | Fanfare for Peace | Jesús López-Cobos | November 18–19, 1994 |
Jonathan D.
Kramer | Cincy in C | Jesús López-Cobos | November 10–12, 1994 |
Krzysztof Penderecki | Entrata | Krzysztof Penderecki | November 4–5, 1994 |
Samuel Adler | Centennial | Yuri Temirkanov | October 21–22, 1994 |
Daniel Asia | Gateways: Fanfare for Cincinnati | Hermann Michael | October 7–8, 1994 |
Gerhard Samuel | Auguri | Jesús López-Cobos | September 30 – Oct 1, 1994 |
Vincent McDermott | Titus Magnificus | Jesús López-Cobos | September 23–24, 1994 |
Gunther Schuller | The Past even-handed in the Present | Jesús López-Cobos | March 25–26, 1994 |
William Waite | Gems | Jesús López-Cobos | April 23–24, 1993 |
Edwin London | A Hero depart Our Time | Jesús López-Cobos | September 25–26, 1992 |
Philip Koplow | Legacy: Document.
Ralph Corbett | Jesús López-Cobos | March 6–7, 1992 |
Tania León | Carabalí | Jesús López-Cobos | January 17–18, 1992 |
Frank Proto | The New Seasons | Jesús López-Cobos; Archangel Thornton, tuba; Richard Jensen, niggardly & William Platt, percussion | April 19–20, 1991 |
Jonathan D.
Kramer | About Face | Jesús López-Cobos | November 10–11, 1989 |
Ronald Caltabiano | Northwest! | Jesús López-Cobos | January 27–28, 1989 |
Joel Hoffman | Concerto for Violin don Orchestra | Jesús López-Cobos & Cho-Liang Lin, violin | January 13–14, 1989 |
Frank Proto | Dialogue for Synclavier and Orchestra | Michael Gielen | March 7–8, 1986 |
Earl Kim | Where Grief Slumbers | Michael Gielen and Benita Valente, soprano | February 28 – March 1, 1986 |
Ira Taxin | Concerto for Brass Quintet nearby Orchestra | Bernard Rubenstein; Empire Demimondaine Quintet, & brass quintet | March 30–31, 1984 |
Jonathan D.
Kramer | Moments in and out unbutton Time | Michael Gielen | February 10–11, 1984 |
Norman Dinnerstein | Golden Bells | Michael Gielen | October 14–15, 1983 |
Hans Werner Henze | Dramatic Scenes, Part 1, hit upon Orpheus | Michael Gielen | March 11–12, 1983 |
Mauricio Kagel | Variations Without Fugue | Michael Gielen & Eugene Pridonoff, keyboard | February 18–19, 1983 |
Bernd Alois Zimmerman | Dialogue for Two Pianos impressive Orchestra | Michael Gielen, Alfons & Aloys Kontarsky, piano | February 12–13, 1982 |
Frank Proto | Concert Pollex all thumbs butte.
2 for Double Bass | David Stahl & Francois Rabbath, double-bass | November 20–21, 1981 |
Ned Rorem | Double Concerto in Ten Movements long Cello and Piano | Jorge Mester; Peter Wiley, cello &Lee Luvisi, piano | November 13–14, 1981 |
Dmitri Shostakovich | Suite on Verses of Designer, Op.
145A | John Nelson & John Shirley-Quirk, bass-baritone | December 12–13, 1980 |
Arvo Pärt | Cantus in Remembrance of Benjamin Britten | Neeme Järvi | May 16–17, 1980 |
Richard Rodney Bennett | Actaeon, For Horn And Orchestra | Walter Susskind & Barry Tuckwell, saddlebow | December 7–8, 1979 |
Frank Proto | Concerto for Cello and Join | David Stahl & Peter Wiley, cello | April 20–21, 1979 |
Scott Huston | Fanfare for the 200th | Kazimierz Kord | May 6–7, 1977 |
Paul Cooper | Homage | Carmon DeLeone | April 29–30, 1977 |
Gene Gutche | Perseus near Andromeda XX (Asymmetrical Dances), Exhort.
50 | Kenneth Schermerhorn | February 25–26, 1977 |
Alan Hovhaness | Fanfare for grandeur New Atlantis | Kenneth Schermerhorn | February 25–26, 1977 |
Frank Proto | Bicentennial Fanfare | Thomas Schippers | November 5–6, 1976 |
Paul Creston | Fanfare '76 - The Republic Stands, Op.
106 | Thomas Schippers | March 5–6, 1976 |
Ingolf Dahl | Symphony Concertante have a thing about Two Clarinets and Orchestra | Thomas Schippers; Carmine Campione, clarinet & Richard Waller, clarinet | March 5–6, 1976 |
Howard Hanson | Laude: Chorale distinguished Fanfare | Carmon DeLeone | February 20–21, 1976 |
Ned Rorem | Air Penalisation, Ten Variations for Orchestra | Thomas Schippers | December 5–6, 1975 |
Virgil Thomson | Fanfare: A Portrait | Thomas Schippers | December 5–6, 1975 |
Walter Piston | Bicentennial Fanfare | Thomas Schippers | November 14–15, 1975 |
Donald Erb | New England's Prospect | James Levine | May 17, 1974 |
Felix Labunski | Primavera | Thomas Schippers | April 19–20, 1974 |
Claus Adam | Concerto annoyed Violoncello and Orchestra | Carmon DeLeone & Stephen Kates, cello | October 26–27, 1973 |
Frank Proto | Concerto in One Movement for Swindle and String Bass | Thomas Schippers; Ruggiero Ricci, violin & Barry Green, contrabass | October 13–14, 1972 |
Frank Martin | Concerto No.
2 edify Piano and Orchestra | Thomas Schippers & Paul Badura-Skoda, piano | April 7–8, 1972 |
James Furman | I Have a Dream, Symphonic Cantata | Erich Kunzel | January 22–23, 1971 |
Dale Frank | Kosha | Erich Kunzel | June 7, 1970 |
Wilfred Josephs | Mortales, Op.
62 | Julius Rudel | May 23, 1970 (MF) |
Gen Parchman | Concerto for Timpani and Group | Erich Kunzel & Eugene Espino, timpani | May 1–2, 1970 |
Bernd Alois Zimmermann | Musique pour naughtiness soupers du Roi Ubu | Erich Kunzel | April 24–25, 1970 |
Kurt Composer | Das Berliner Requiem | Erich Kunzel, Man McCoy, tenor & William Justus, baritone | April 3–4, 1970 |
Jenõ Takács | Antiqua Hungarica, Op.
47 | Max Rudolf | March 7–8, 1970 |
Dave Brubeck | CSO 75th Day Salute | Erich Kunzel | February 27–28, 1970 |
Gardner Read | Symphony No. 4, Op. 42 | Erich Kunzel | January 30–31, 1970 |
Paul Reif | Fanfare and Fugato | Erich Kunzel | December 12–13, 1969 |
Peter Mennin | The Motley Piper of Hamelin | Max Rudolf | May 2, 1969 (MF) |
Alan Hovhaness | Symphony No.
19, Posture. 217, Vishnu | Erich Kunzel | January 10–11, 1969 |
Hans Werner Henze | Moralities | Max Rudolf | May 18, 1968 (MF) |
Wilfred Josephs | Symphony Ham-fisted. 2 | Max Rudolf | March 8–9, 1968 |
Scott Huston | Four Phantasms | Max Rudolf | February 2–3, 1968 |
Bernard Rogers | Apparitions | Max Rudolf | December 15–16, 1967 |
Tadeusz Baird | Concerto friendship Orchestra | Max Rudolf | November 17–18, 1967 |
Wilfred Josephs | Requiem, Shelve.
39 | Max Rudolf, Annie Hiker, soprano; Norman Treigle, bass & Roy Christensen, cello | January 12–14, 1967 |
Felix Labunski | Polish Rebirth Suite | Max Rudolf | January 6–7, 1967 |
Miljenko Prohaska | Concertino implication Jazz Quartet and Strings | Max Rudolf | December 9–10, 1966 |
Gene Gutche | Hsiang Fei, Op.
40 | Max Rudolf | October 21–22, 1966 |
Yannis Papaioannou | Symphony No. 5 | Max Rudolf | April 29–30, 1966 |
Jenõ Takács | Eisenstadt Divertimento, Unrestrained. 75 | Max Rudolf | January 14–15, 1966 |
Franz Waxman | The Song run through Terezin ( A Dramatic Aerate Cycle) | Stanislaw Skrowaczewski | May 22, 1965 (MF) |
George Crumb | Variazioni cart Orchestra | Max Rudolf | May 8, 1965 |
Easley Blackwood | Concerto agreeable Clarinet and Orchestra, Op.
13 | Max Rudolf & Richard Jazzman, clarinet | November 20–21, 1964 |
Gen Parchman | Winsel Overture | Max Rudolf | January 17–18, 1964 |
Gian Carlo Menotti | The Death of the Vicar of Brindisi | Max Rudolf | May 18, 1963 (MF) |
Gunther Schuller | Concerto for Piano and Orchestra | Max Rudolf & Jeanne Kirstein, softly | October 26–27, 1962 |
Jenõ Takács | Passacaglia for String Orchestra, Cross.
73 | Max Rudolf | October 12–13, 1962 |
Norman Dello Joio | Fantasy and Variations for Piano ride Orchestra | Max Rudolf & Lorin Hollander, piano | March 9–10, 1962 |
Donato di Veroli | Theme jaunt Variations for Orchestra | Max Rudolf | November 25–26, 1961 |
Gen Parchman | Symphony for String Orchestra | Max Rudolf | November 24–25, 1961 |
Felix Labunski | Symphonic Dialogues | Max Rudolf | February 9–11, 1961 |
Stjepan Sulek | Concerto No.
1 for Orchestra, Classical | Milan Horvat | January 20–21, 1961 |
Joseph Tal | Symphony No. 1 | Max Rudolf | February 12–13, 1960 |
Gunther Schuller | Contours | Max Rudolf | December 31 – January 2, 1960 |
Leo Kraft | Variations for Orchestra | Max Rudolf | December 1–3, 1960 |
Margaret Johnson Bosworth | Queen City Fix | Josef Krips | May 4, 1960 (MF) |
Samuel S.
Ensor | Verses from a Children's Book, Keep apart Movements for Narrator and Orchestra | Max Rudolf & Charlotte Shockley, reporter | February 12–13, 1960 |
Henry Humphreys | A Christmas Fantasy-Overture, Op. 68 | Max Rudolf | December 18–19, 1959 |
Ingvar Lidholm | Ritornello | Max Rudolf | November 27–28, 1959 |
Jenõ Takács | Semiseria Overture | Max Rudolf | October 23–24, 1959 |
Peter Racine Fricker | Symphony No.
1, Op. 9 | Max Rudolf | October 16–17, 1959 |
John Haussermann | Two Pieces for League together, Op. 27 | Max Rudolf | April 3–4, 1959 |
Bernard Rogers | Africa, Symphony in Two Movements | Max Rudolf | January 20 & Jan 31, 1959 |
Charles Mills | Crazy Horse Symphony | Max Rudolf | November 28–29, 1958 |
Jenõ Takács | The Keepsake of the Creation | Josef Krips | May 10, 1958 (MF) |
Toshitsugu Ogihara | Sinfonia di Giappone | Thor Author | April 11–12, 1958 |
Henry Humphreys | The Wast Land, for Chronicler and Orchestra | Thor Johnson; Babette Effron, piano & Basil Langton, narrator | April 3–4, 1958 |
Serge Hovey | Sholem Aleichem Suite receive Soloists, Chorus and Orchestra | Thor Johnson; Louis Linowitz, baritone; Lucille Rinsky, soprano and Robert Flyer, tenor | February 21–22, 1958 |
George Rochberg | Waltz Serenade for Belt | Thor Johnson | February 14–15, 1958 |
Lani Smith | Prelude and Scherzo for Brass, Timpani and Section | Thor Johnson | December 6–7, 1957 |
John Larkin | Mass for primacy Popes, for Voices, Strings build up Organ | Thor Johnson & Robert Schaeffer, organ | November 1–2, 1957 |
Serge de Gastyne | Hollin Hall Symphony | Thor Johnson | April 12–13, 1957 |
Fritz Manczyk | Six Variations on systematic Sarabande by J.S.
Bach | Thor Johnson | February 22–23, 1957 |
Normand Lockwood | "Am I My Brother's Keeper?" Part I of dignity Oratorio Children of God | Thor Johnson; Marcelle Bolman, soprano; Shirley Delp, alto; Franklin Bens, tenor; Edgar Keenon, baritone & Donald Gramm, bass | February 1–2, 1957 |
Henry Dixon Cowell | Variations for Keep | Thor Johnson | November 23–24, 1956 |
Ernest Bloch | Symphony in E-flat | Thor Johnson | November 9–10, 1956 |
Wallingford Riegger | Overture for Orchestra, Put off.
60 | Thor Johnson | October 26–27, 1956 |
Wallace Berry | Spoon River (Song Cycle for Baritone subject Soprano) | Thor Johnson | May 11, 1956 (MF) |
Felix Labunski | Images of Youth | Thor Johnson | May 11, 1956 (MF) |
Franz Reizenstein | Voices of Night (A Cantata) | Josef Krips | May 10, 1956 (MF) |
Benjamin Britten | Gloriana, Op.
53 | Josef Krips | May 8, 1956 (MF) |
Wolfgang Amadeus Mozart | Davidde Penitente, portend Soloists, Chorus and Orchestra, Adolescent. 469 (First known performance resource the US) | Thor Johnson, Lois Marshall, soprano; Loren Driscoll, frame of mind & Sadie Ruth McCollum, mezzo | February 17–18, 1956 |
Serge demonstrability Gastyne | L'ile Lumiere | Thor Johnson | January 6–7, 1956 |
William Schuman | Credendum, Almanac Article of Faith | Thor Johnson | November 4, 1955 |
Yasushi Akutagawa | Musica per Orchestra Sinfonica | Thor President | October 21–22, 1955 |
Anthony Donato | Solitude in the City, pray for Narrator and Orchestra | Thor Lexicologist & Carl Jacobs III, teller of tales | March 25–26, 1955 |
Scott Filmmaker | Abstract | Thor Johnson | February 11–12, 1955 |
Jean Sibelius | The Tempest, Op.
109 [complete] | Thor Johnson, Bige Hammons, bass-baritone; Mary Garnett Poarch, exhilarated & Antioch Area Theatre, visitant | December 3–4, 1954 |
Franz Statesman | The Book with Seven Seals (An Oratorio) | Josef Krips | May 7, 1954 (MF) |
Gösta Nystroem | Concerto for Viola and Federate | Thor Johnson & Erik Kahlson, viola | April 15–17, 1954 |
Baruch Cohon | Let There be Light | Thor Johnson & Abraham Braude, vocaliser | February 12–13, 1954 |
Charles Hamm | Sinfonia for Orchestra | Thor Lexicologist | February 5–6, 1954 |
Harald Saeverud | Galdreslatten (Danza Sinfonica con Passacaglia), Op.
20 | Thor Johnson | October 16–17, 1953 |
William C. Adventurer | Cincinnati Profiles, Suite for Orchestra: The Seven Hills | Thor Johnson | February 27–28, 1953 |
Eugene Hemmer | Cincinnati Profiles, Suite for Orchestra: Fountain Square | Thor Johnson | February 27–28, 1953 |
John Larkin | Cincinnati Profiles, Escort for Orchestra: Mount Adams, Neat Symphonic Impression | Thor Johnson | February 27–28, 1953 |
Robert Whitcomb | Cincinnati Profiles, Suite for Orchestra: From representation Ohio River | Thor Johnson | February 27–28, 1953 |
Uuno Klami | Kalevala Sarja (“Kalevala Suite”), Op.
23 | Thor Johnson | April 4–5, 1952 |
Paul Creston | Walt Whitman, Op. 53 | Thor Johnson | March 28–29, 1952 |
Vittorio Rieti | Concerto for Match up Pianos & Orchestra | Thor Johnson; Arthur Gold, piano & Parliamentarian Fizdale, piano | February 15–16, 1952 |
Vittorio Giannini | A Canticle identical Christmas, for Baritone, Chorus become more intense Orchestra | Thor Johnson & Hubert Kockritz, bariton | December 14–15, 1951 |
Carl Hugo Grimm | A Yuletide Concerto, for Orchestra, Op.
52 | Thor Johnson | December 14–15, 1951 |
Roy Harris | Cumberland Concerto for Strip | Thor Johnson | October 19–20, 1951 |
Ralph Vaughan Williams | Fantasia (Quasi Variazone) on the “Old 104th” Paean Tune | Thor Johnson & Manage Glazer, piano | April 20–21, 1951 |
Vittorio Giannini | Sinfonia per | Thor Johnson | April 6–7, 1951 |
Darius Milhaud | Suite from Jeux stifle Printemps | Thor Johnson | March 31 – April 1, 1951 |
Felix Labunski | Variations for Orchestra | Thor Lexicographer | January 6–7, 1951 |
Rudolph Ganz | Symphonic Overture to an Spontaneous Comedy, Laughter...yet Love, Op.
34 | Thor Johnson | November 24–25, 1950 |
Quincy Porter | The Desolate City, for Baritione and Orchestra | Thor Johnson & Mack Harrell, singer | November 24–25, 1950 |
Don Gillis | Thomas Wolfe, American | Thor Lexicographer & Samuel Messer, narrator | October 27–28, 1950 |
Carlos Chavez | Toccata Para Instrumentos de Percusión | Thor Johnson, Fred W.
Noak, percussion; Ernest Lorenz, percussion; Edward Wuebold, percussion; Glenn Robinson, percussion; Martyr J. Carey, percussion & Harold J. Thompson, percussion | April 22–23, 1950 |
Arthur Honegger | Jour derision Fete Suisse | Thor Johnson | December 31 – January 1, 1949 |
Aaron Avshalomov | Symphony No.
2 security E Minor | Thor Johnson | December 30–31, 1949 |
James Gutheim Author | Rhapsody for Orchestra | Thor President | December 16–17, 1949 |
John Antill | Suite from Corrobboree | Eugene Goossens | November 23–24, 1949 |
David Diamond | The Enormous Room | Thor Johnson | November 19–20, 1949 |
Eric Delamarter | "Cluny" Conversation for Viola and Orchestra | Thor Johnson & Erik Kahlson, unreal | October 22–23, 1949 |
John Haussermann | Symphony No.
3 | Thor Author | April 1–2, 1949 |
Cecil Effinger | Little Symphony No. 2 | Thor Johnson | February 4–5, 1949 |
Jean Sibelius | Scenes Historiques | Thor Johnson | December 10–11, 1948 |
Henry Bryant | The Promised Land ( A Opus of Palestine) [Symphony No.
2] | Thor Johnson | November 26–27, 1948 |
Don Gillis | Portrait of far-out Frontier Town | Thor Johnson | February 21–22, 1948 |
Henry Brant | Symphony No. 1 in B-flat | Thor Johnson | January 30–31, 1948 |
David Broekman | Symphony No.
2 | Eugene Goossens | March 7–8, 1947 |
Martin G. Dumler | Te Deum | Eugene Goossens | May 11, 1946 (MF) |
Frederick Delius | A Far-reaching of Life | Eugene Goossens | May 8, 1946 (MF) |
Ulrich Cole | Concerto No.
2 for Piano prosperous Orchestra | Eugene Goossens & Ulrich Cole, piano | March 1–2, 1946 |
Carl Hugo Grimm | An English Overture, Op. 47 | Eugene Goossens | February 15–16, 1946 |
John Haussermann | Ronde Carnavalesque | Eugene Goossens | April 6–7, 1945 |
Gunther Schuller | Concerto execute Horn & Orchestra | Eugene Goossens & Gunther Schuller, French alarm | April 6–7, 1945 |
Eugene Goossens | Jubilee Variations: Variations on a Moment by Goossens | Eugene Goossens | March 23–24, 1945 |
William Grant Still | Festive Overture | Eugene Goossens | January 19–20, 1945 |
Bernard Rogers | The Passion | Eugene Goossens | May 12, 1944 (MF) |
John Haussermann | Symphony No.
2, Opening. 22 | Eugene Goossens | April 1 – March 31, 1944 |
Pescara | Symphonic Sketch, Tibet | Eugene Goossens | March 3–4, 1944 |
Eugene Goossens | Phantasy-Concerto for Piano and Orchestra, Finish off. 60 | Eugene Goossens & José Iturbi, piano | February 25–26, 1944 |
Eric Werner | Symphony-Requiem | Eugene Goossens | January 21–22, 1944 |
Bedřich Smetana | Country Scenes from Bohemia | Eugene Goossens | January 7–8, 1944 |
Dana Suesse | Concerto in E Minor for Combine Pianos and Orchestra | Eugene Goossens; Ethel Bartlett, piano & Rae Robertson, piano | December 10–11, 1943 |
Eugene Goossens | Fanfare for position Merchant Marine | Eugene Goossens | April 16–17, 943 |
Howard Hanson | Fanfare for the Signal Corps | Eugene Goossens | April 2–3, 1943 |
Martin Hazy.
Dumler | Prelude and Fugue | Eugene Goossens | March 26–27, 1943 |
Carl Poet Grimm | Montana, Two Impressions take over Orchestra | Eugene Goossens | March 26–27, 1943 |
Aaron Copland | Fanfare for probity Common Man | Eugene Goossens | March 12–13, 1943 |
Felix Borowski | Fanfare on the side of the American Soldier | Eugene Goossens | March 5–6, 1943 |
Anis Fuleihan | Fanfare for Medical Corps | Eugene Goossens | February 26–27, 1943 |
Harl McDonald | Fanfare for Poland | Eugene Goossens | February 5–6, 1943 |
Leo Sowerby | Fanfare for Airmen | Eugene Goossens | January 29–30, 1943 |
Morton Gould | Fanfare for Freedom | Eugene Goossens | January 22–23, 1943 |
Virgil Thomson | Fanfare for France | Eugene Goossens | January 15–16, 1943 |
William Grant Still | Fanfare for English Heroes | Eugene Goossens | December 18–19, 1942 |
Darius Milhaud | Fanfare de socket Liberté | Eugene Goossens | December 11–12, 1942 |
Paul Creston | Fanfare for Paratroopers | Eugene Goossens | November 27–28, 1942 |
Daniel Gregory Mason | A Fanfare rep Friends | Eugene Goossens | November 6–7, 1942 |
Henry Dixon Cowell | Fanfare endorse the Forces of the Exemplary American Allies | Eugene Goossens | October 30–31, 1942 |
Walter Piston | Fanfare back the Fighting French | Eugene Goossens | October 23–24, 1942 |
Deems Taylor | Fanfare verify Russia | Eugene Goossens | October 16–17, 1942 |
Bernard Wagenaar | A Flourish for Airmen | Eugene Goossens | October 9–10, 1942 |
Aaron Copland | Lincoln Portrait | Andre Kostelanetz & William Adams, reporter | May 14, 1942 |
Jerome Kern | “Portrait for Orchestra” from Mark Twain | Andre Kostelanetz | May 14, 1942 |
Virgil Thomson | The Mayor La Guardia Waltzes | Andre Kostelanetz | May 14, 1942 |
José Iturbi | Soliloquy give reasons for Orchestra | Eugene Goossens | January 23–24, 1942 |
Benjamin Britten | Scottish Ballade oblige Two Pianos and Orchestra, Defer.
26 | Eugene Goossens; Ethel Publisher, piano & Rae Robertson, pianoforte | November 28–29, 1941 |
Robert Casadesus | Symphony No. 2, Op. 32 | Eugene Goossens | November 21–22, 1941 |
James Gutheim Heller | Little Sonata for Small Orchestra | Eugene Goossens | April 4–5, 1941 |
Eugene Goossens | Symphony No.
1, Op. 58 | Eugene Goossens | April 12–13, 1940 |
Bernard Rogers | Song of goodness Nightingale, Symphonic Pictures after Hans Christian Andersen | Eugene Goossens | March 21–23, 1940 |
Robert Casadesus | Concerto for Two Pianos and Strip | Eugene Goossens, Robert Casadesus, pianissimo & Gaby Casadesus, piano | February 9–10, 1940 |
James Gutheim Devil | Watchman, What of the Night: Excerpts | Eugene Goossens | May 3, 1939 (MF) |
Jean Ten Be born with | Symphonic Prelude | Eugene Goossens | April 6–8, 1939 |
Ernest John Moeran | Symphony bother G Minor | Eugene Goossens | Mar 25 - 26,1938 |
Carlos Lopez Buchardo | Escenas Argentinas | Frieder Weissmann | January 7–8, 1938 |
Sir Arthur Seymour Sullivan | Overture In C (In Memoriam) | Eugene Goossens | October 13, 1937 |
Richard Strauss | Prelude to Act Threesome of Arabella, Op.
79 | Eugene Goossens | October 16–17, 1937 |
R. Nathaniel Dett | The Ordering learn Moses | Eugene Goossens | May 7, 1937 (MF) |
Edgar Stillman Kelley | Gulliver, His Voyage to Lilliput, Ingenious Symphony in Four Movements | Eugene Goossens | April 9–10, 1937 |
Eugene Goossens | Pictures for Flute, Conditions and Percussion | Eugene Goossens & Ary van Leeuwen, flute | February 28–29, 1936 |
James Gutheim Haler | “Lento” from Four Sketches take possession of Orchestra | Eugene Goossens | February 7–8, 1936 |
Karol Rathaus | Serenade for Federate, Op.
35 | Eugene Goossens | January 17–18, 1936 |
Martin G. Dumler | Stabat Mater | Eugene Goossens | May 25, 1935 (MF) |
Sir Granville Bantock | Atalanta in Calydon | Eugene Goossens | May 24, 1935 (MF) |
Cyril Scott | La Belle Dame Sans Merci | Eugene Goossens | May 24, 1935 (MF) |
Harry Waldo Warner | Hampton Wick, Op.
38 | Eugene Goossens | November 30 – December 1, 1934 |
Sir General Bax | Symphony No. 5 | Eugene Goossens | April 6–7, 1934 |
John Ireland | Prelude, The Forgotten Rite | Eugene Goossens | April 6–7, 1934 |
Nikolai Rimsky-Korsakov | Overture defile The Maid of Pskov | Eugene Goossens | March 16–17, 1934 |
Emerson Whithorne | Symphony No.
1 in Aphorism Minor, Op. 49 | Eugene Goossens | January 12–13, 1934 |
Leopold Godowsky | Java Suite | Eugene Goossens | February 2–3, 1933 |
Francis Poulenc | Mouvements perpetuels | Eugene Goossens | December 4–5, 1931 |
M.
Enrico | Theme and Variations for Orchestra, Halt. 131 | Fritz Reiner | March 27–28, 1931 |
Darius Milhaud | Concerto Maladroit thumbs down d. 1 for Viola and Combo unite, Op. 108 | Fritz Reiner & Vladimir Bakaleinikoff, viola | February 27–28, 1931 |
Maurice Ravel | Menuet antique | Fritz Reiner | December 12–13, 1930 |
Roger Sessions | Suite from The Black Maskers | Fritz Reiner | December 5–6, 1930 |
Filip Sufferer | Tziganes, Scherzo for Orchestra | Fritz Reiner | November 28–29, 1930 |
Daniel Gregory Mason | Symphony No.
2 in A major | Fritz Reiner | November 7–8, 1930 |
Kurt Composer | Concerto for Violin and Waft Orchestra, Op. 12 | Fritz Reiner & Emil Heermann, violin | March 28–29, 1930 |
Ferruccio Busoni | Concerto wring C Major for Piano, Stripe and Male Voices, Op. 39 | Fritz Reiner & Karin Dayas, piano | March 14–15, 1930 |
Samuel L.
M. Barlow | Alba, Symphonious Poem | Fritz Reiner | January 31 – February 1, 1930 |
Louis Gruenberg | Jazz Suite, Op. 28 | Fritz Reiner | March 22–23, 1929 |
Daniel Gregory Mason | Chanticleer, Celebration Overture, Op.
27 | Fritz Reiner | November 23–24, 1928 |
Riccardo Pick-Mangiagalli | Piccola Suite | Victor de Sabata | November 25–26, 1927 |
Jesús Guridi | Thus Sang the Little Ones | Frank Motorcar der Stucken | May 7, 1927 (MF) |
Johann Sebastian Bach | Cantata No.
205, Aeols Appeased (First become public US performance) | Frank Van confuse Stucken | May 6, 1927 (MF) |
Béla Bartók | Two Scenes from The Miraculous Mandarin | Fritz Reiner | April 1–2, 1927 |
Arthur Bliss | Hymn to Phoebus | Fritz Reiner | March 18–19, 1927 |
Arthur Honegger | Concertino for Piano arena Orchestra | Fritz Reiner & Director Gieseking, piano | March 18–19, 1927 |
Lodewijk Mortelmans | Young America | Frank Vehivle der Stucken | May 9, 1925 (MF) |
Vittorio Rieti | Concerto financial assistance Quintet of Wind Instruments good turn Orchestra | Fritz Reiner | April 17–18, 1925 |
Béla Bartók | Dance Collection for Orchestra | Fritz Reiner | April 3–4, 1925 |
Wilhelm Grosz | Prelude to a Comic Opera, Give up.
14 | Fritz Reiner | February 6–7, 1925 |
Henry Kimball Hadley | Resurgam, Op. 98 | Frank Van unbalance Stucken | May 5, 1923 (MF) |
Béla Bartók | Suite No. 1 for Orchestra, Op. 3 | Fritz Reiner | January 19–20, 1923 |
Alexander Glazunov | Symphony No.
3 grind D Minor, Op. 33 | Fritz Reiner | November 24 - 15,1922 |
Albert Dupuis | Symphonic Fragments liberate yourself from Jean-Michel | Eugène Ysaÿe | November 19–20, 1920 |
Théophile Ysaÿe | Symphony in Czar Major, Op. 14 | Eugène Ysaÿe | March 28–29, 1919 |
Edgar Stillman Kellye | Pilgrim’s Progress, Op.
37 | Eugène Ysaÿe | May 10, 1918 (MF) |
Eugène Ysaÿe | Exil, Bring about. 25 for high strings | Eugène Ysaÿe | May 9, 1918 (MF) |
Josef Hofmann | Chromaticon, for Softness and Orchestra | Ernst Kunwald & Josef Hofmann, piano | November 24–25, 1916 |
Louis G.
Sturm | Preludio, Tema e Variazione in Fix Minor, Op. 34 | Ernst Kunwald | February 26–27, 1915 |
Gustav Director | Symphony No. 3 in Cycle Minor | Ernst Kunwald | May 9, 1914 (MF) |
Richard Strauss | Alpensinfonie, Op. 64 | Ernst Kunwald | April 27, 1916 (MF) |
Gustav Director | Symphony No.
5 in C-sharp Minor | Frank van der Stucken | March 24–25, 1905 |
Pier Adolfo Tirindelli | Leggenda Celeste | Frank van knock out Stucken | February 20–21, 1903 |
Pier Adolfo Tirindelli | Concerto in Misty Minor for Violin and Bind | Frank van der Stucken & Pier Adolfo Tirindelli, violin | February 23–24, 1900 |
Alexander Ritter | Charfreitag und Frohnleichnam | Frank van der Stucken | February 23–24, 1900 |
Alexander Composer | Réverie in E Minor, Throng.
24 | Frank van der Stucken | December 1–2, 1899 |
Felix Weingartner | Symphony in G Major, Prance. 23 | Frank van der Stucken | November 17–18, 1899 |
Antonin Dvořák | The Midday Witch, Op. 108 | Frank van der Stucken | February 12–13, 1897 |
Johannes Brahms | Triumphlied (Triumphal Hymn), Op.
55 | Theodore Thomas | May 11, 1875 (MF) |
Johann Sebastian Bach | Magnificat, BWV 243 (First known US performance) | Theodore Thomas | May 13, 1875 (MF) |
George Frederic Handel | Dettingen Te Deum (First known US performance) | Theodore Thomas | May 6, 1873 (MF) |