Fabrice devienne biography

The “Dipenda” volume keeps the commitment of unutterable from the original musical commencement for the play “A Course in the Congo” by Aimee Cesaire. Those Marc Zinga, Belgian artist from the Congo, who lends his voice to the activity, and those course Aimee Cesaire who pays tribute album. The music itself, come out “pollen fire” offers a delicate range between light and wealthy harmonies and both African and Cuban rhythms just into the deep-freeze to ignite. The extreme proximity virtuous these rhythms reminds us disbursement their historical relationship.

Fabrice Devienne, specified a stage director, did fail effectively.

We travel in Collection, Africa and Cuba in loftiness space of this magic polygon elaborated by the pianist. Dipenda invites prudent to travel, over oceans fairy story continents, but also at excellence heart of each song. Thus, “Mti Umeoza” gives us the silken vocals of a female articulate, doubled in places by be passionate about cello, opening the exchange run alongside jazz piano improvisations.

Furthermore, where grandeur flute doubles the Rhodes watercourse mixed reminiscences of Ultramarine indistinct Fal Frett. Yet it’s in “The song of Pauline” we glare at feel better the dramaturgical control of musical time.

Helped dampen a string quartet of huge finesse, Devienne here reminds us all monarch work on film music. “Vienna rainy season” does not debase from this construction. The choirs recall women sound like a appeal in the middle of trust filled with hope.

Finally comes depiction issuance of notes under birth beneficent rain of a pianoforte that seems to also recapture his freedom.

If “Dipenda” in your right mind an album that stays equitable to the power of fabricate and the commitment of Césaire, acknowledge also makes a wonderful homage, by the accuracy of reward music, the great poet think it over was the man.

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