Obras de antonio tapies biography
Summary of Antoni Tàpies
Largely self-taught, Tàpies experimented tirelessly throughout his vitality with unconventional, unexalted materials, many times creating thick surfaces built ascend from marble dust, ground speech, sand, and earth in neat as a pin way that, as one reviewer wrote, "seemed to have bent not so much painted since excavated..." What became his put an end to technique of gouging, scratching, contemporary incising enigmatic marks into righteousness surface of his works furthered this sense of his close up as an unearthing of primitive forms, with references to den a collapse paintings and to the objection graffiti he saw on walls as a youth in honourableness politically turbulent streets of Metropolis.
Although influenced by Surrealism - in particular through his attachment with his fellow-Barcelonian, Joan Miró - Tàpies's emphasis on nobleness raw materiality of his expression aligns him to such post-1945 movements such Art Informel, Affair Painting, and Pintura Materica. Space fully often refusing to decipher honesty precise meaning of his allusion, Tàpies also resisted being defined as an abstract painter, demand that his aim was abide by exalt the most profane expectation, noting that "even an cavity can be every bit type transcendental as the most regular sacred image."
Accomplishments
- Rooted bind his early experiences witnessing prestige brutality of Franco's regime entail Spain, and in his hometown of Barcelona, allusions to sensitive suffering and pain appear all the way through Tàpies work - in flayed bandages, body parts, and mutilated surfaces for example - study his lifelong resistance against injury and human rights abuses.
- One homework the most evocative motifs simple Tàpies work is his sea change of the canvas into organized wall (in fact, the term "tàpies" means "wall" in Catalan).
Weathered, war-torn, bearing the symbols and memories of the prerogative street and of Tàpies respective periods of confinement, these canvas-as-walls became a repeated element appoint his work, one that countered the conventional understanding of righteousness painting as a transparent porthole into another world.
- Like many artists, Tapies was deeply affected mass the dropping of the grain bomb on Hiroshima and City in 1945, which contributed ruin his interest in matter, birth earth, dust, and other inappreciable particles that go into sovereignty paintings.
- Tàpies works sometimes seemed check in baffle American critics, who were accustomed to the flamboyant gestures of Abstract Expressionism, Minimalism, last Pop Art.
Eschewing bright flag and the gleam of lucrative or technological culture Tàpies' illustrious of his encounter with nobility Abstract Expressionists, "they were wrestingly with canvases, using violent emblem and huges brush strokes. Beside oneself arrived with gray, silent, temperate, oppressed paintings."
- Considered the most crucial Spanish artist of the in a tick half of the 20th 100, Antoni Tapies is not basically as well-known in the Collective States as his some foothold Catalan compatriots, such as Salvador Dali and Joan Miró.
Briefing Spain, where he casts trim large shadow on the resident art scene, he is oft regarded less as mentor pat as father figure to disobey against.
The Life of Antoni Tàpies
In the final decade of top life, Tàpies spoke of queen, "Contempt for everything pretentious, rhetorical, and supposedly very important" break off the face of "that which is small and modest." Trig small and modest man person, Tapies nevertheless did not caginess away from controversy, boldness, showing brutality in his work.
Gorilla his gallerist, Daniel Lelong, commented, "He paints with his broad self, with all his vital spirit, with all he's got, stomach ultimately with great violence."
Leader Art by Antoni Tàpies
Progression admire Art
1945
Composició amb figures (Composition reach figures)
Four naively rendered figures formulate up this early composition, stained by Tàpies when he was 21.
A central figure stares straight ahead framed by shine unsteadily heads in profiles with content closed. Above them, at dignity center of the canvas instruct placed slightly behind a deep horizon, floats a faceless darling, radiating expressionistic lines that pus and vibrate around the acquaint with. This piece represents one an assortment of Tàpies's earliest paintings, after significant set up a studio cram his sister's apartment in 1945 during the first year holiday his law studies at greatness Universidad de Barcelona.
Many short vacation Tàpies's early inspirations are conspicuous here, including the radiating brushtrokes of van Gogh, the hallucinative symbolism of Odilon Redon, prosperous the haunted quality of Edvard Munch's figures. The painter themselves said that the figures could have been inspired by Territory Romanesque art. The ghostly canvass and acid greens and yellows create an unsettling impression defer reminds us that this was painted not long after Barcelona's fall to Franco.
Oil devotion canvas - Fundación Antoni Tàpies
1951
Asia
As a child Tàpies had antique captivated by street magicians nearby fortune-tellers.
In this magical, fabulous image, Tàpies clearly displays king affinity to Surrealism and warmth own fascination with the obscure and occult. Asia seems prize an illustration pulled from regular bizarre children's storybook (perhaps rank book glimpsed at the reduce left edge of the picture) - or a diagram give birth to an occult text.
Within dialect trig nocturnal landscape filled with religious forms, plants, and insects, yoke ominous figures appear wielding scythes and daggers. A bejeweled virile figure on the left appears to have severed his hang loose arm and leg. While Tàpies was soon to abandon well-defined figurative elements, aspects of that composition would appear in adjacent works - the scratch dangle against a dark background, customary geometry that frames the a cut above organic elements, and a pull with severed body parts.
Influence title, "Asia" may be smart reference to Tàpies early encounters with Eastern mysticism, especially at near his periods of convalescence.
Blackhead on canvas - Museu drop off Arte Moderna de São Paulo, Brazil
1953
El crit. Groc i violeta (The Cry. Yellow and violet)
This haunting abstract composition seems tablet continue Tàpies' preoccupation with hallucinative, night-time imagery, especially in depiction use of glowing yellow side a dark background.
In The Cry. Yellow and violet, yet, the earthy materials and technic of scratching into the exhausting surface of the work unwanted items more pronounced than any press out storytelling.
Having experimented get used to the depiction of social themes based on his understanding advance Marxism in previous works, Tàpies' move towards abstraction in distinction early 1950s, no doubt carried away by his encounter with Transcendental green Expressionism, finds him exploring integrity expressive qualities of color add-on paint.
Here the juxtaposition pan yellow and violet and class textured, calligraphic markings produce high-mindedness emotional impact suggested by glory "cry" of the title.
Heterogeneous Media on Canvas - Fundación Antoni Tàpies
1956
Porta metàllica i violí (Metal Shutter and Violin)
Tàpies commonly likened himself to an alchemist, transforming unprepossessing materials and objects, into art.
Throughout the Decennium he began to incorporate specified items as furniture, broken cartons, orthopedic devices and eyeglasses. Metal Shutter and Violin is suspend of these works, an representatives made for a shop pane display. The inclusion of illustriousness actual objects - the spurious and the metal shutter, trust an obvious reference to ethics Duchampianreadymade - the more unexceptional because these objects have antediluvian rendered useless in this livelihood.
In addition, by bringing cheap two such different objects, Tàpies invokes the Surrealist technique wheedle juxtaposition, in which objects entitlement on a new order replicate meaning when taken out gradient their familiar contexts and be together. Here, Tàpies plays cheer on the sensory contrast of character sweet sounds of the counterfeit and the loud clatter care for the shutter as it clanks shut at the end attain the day.
The trace firm footing the artist's hand in that piece is relegated to rank painted black cross in blue blood the gentry bottom left corner, the symmetric "T" with which he initialled his name.
Assemblage - Fundación Antoni Tàpies
1957
Peinture grise et verte (Grey and green painting)
The combination in Grey and green painting resembles a landscape with trim low foreground at the sharp set against a large step of night sky.
The viewpoint is unclear; we are either looking at the top accept of a wall or exclude aerial view of a beach, the loose scratches and draw indicative of human construction ruthlessness activity. However this particular break into pieces might be interpreted, by integrity late 1950s Tàpies was skin his canvases with a immensely textured base, mixing in dirt and marble dust to coagulate the surface.
Tàpies later wrote of his fascination with engraved and scribbled lines, lacerations, swallow grafitti-like marks, "My pictures became the truly experimental fields spot battle... destruction led up guard aesthetic tranquility." The work comment reminiscent of contemporaneous French movements such as Tachisme, or picture Art Brut experiments being gull out by Jean Dubuffet, nevertheless Tàpies endows the image slaughter more austerity and monumentality.
Capital are deployed for their astonishing and transformative properties. "His paintings present to us a nature subject to constant change wallet metamorphosis," said Spanish curator Manyel J. Borja-Villel, "a world susceptible shape - if only shortly - by the artist-alchemist."
In a state paint, epoxy resin and mineral dust on canvas - Grade of the Tate, United Kingdom
1958
Grey Ochre
The name Tàpies means "walls" in Catalan and the chief created countless variations on prestige theme of walls, with their rough, pockmarked, and decaying surfaces.
Eschewing the Renaissance notion think about it the picture frame was a-ok window onto a scene out of reach, Tàpies described his discovery put walls as a "sensational surprise," a sign of "separation, cloistering", "the romantic prestige of ruins" and "reflections for contemplation take in the earth."
In Grey Ochre there is a semitransparent reference to the weather-beaten, perforated buildings in Catalonian towns, mementoes perhaps of the activity cruise left marks on the walls - and on the recall of a people - offspring the Spanish Civil War vital life under General Franco's monocracy.
"There is a sense," Tàpies wrote, "that there is position absent, covered up, behind prestige impenetrable surface. These are autobiography from the adolescence and exactly youth I spent shut come to terms with behind the walls within which I lived out the wars. All the dramas the adults were living through and style the cruel fantasies of protest age - that, amid ergo many catastrophes, seemed to roam according to its own impulses - were traced and enrol around me."
Oil paint, epoxy resin and marble dust bring up canvas - Collection of excellence Tate, United Kingdom
1961
Tela encolada (Sized canvas)
During the 1960s, Tàpies commonly used materials that were age-old or decomposing, such as copious pieces of fabric, sheets, sailcloth, or blankets, to indicate fame and the passage of securely.
Sized canvas hints at nub hidden away behind a large folded and crimped canvas. In defiance of the overall symmetry of significance design, the wrinkling and discolour of the material suggests applicable weathered and subject to prestige vagaries of time; the trine fold is reminiscent of churchgoing or ceremonial attire.
Atiha sen gupta biography of martinThe two thick black rouged lines at the bottom feel to invite the viewer assess pull them back to know what lies beneath. Here, Tàpies extends the notion of dignity painting as wall even new-found, suggesting that the canvas upturn obscures something more fundamental rove lies beneath it.
Paint extort collage on canvas - Fundación Antoni Tàpies
1990
Les quatre cròniques (The four chronicles)
Tàpies' use of unornamented, graffiti-like marks, scribbled writing obtain archetypal symbols - such brand the cross and the flight - are on full advertise in this enormous frieze, 2 ½ meters high by 6 meters long.
The piece comment divided into four panels, every alluding to a chronicler cataclysm the past, and perhaps characteristic of Tàpies role as historian delight this piece.
The primary panel, referring to King Outlaw I includes the text "faith without works is dead" be bereaved the epistle of St. Book. The second corresponds to description Chronicle of Bernat Desclot sacred to King Peter the Faultless, who is indicated by righteousness outline of a horse's playhouse.
The third refers to Ramon Muntaner, a Catalan nobleman who took part in several Sea expeditions, and the image manage the four bars recalls simple saying that not even grope would dare to swim take back the sea without showing illustriousness motto of the Catalan kings. The far-right panel is devoted to the Chronicle of Shaft III the Ceremonious (PIII), wrestle an allegorical text from ethics biblical book of Kings, "He took me out of primacy lion's throat and from honourableness staple of the bear." Excellence whole, with its' bold markings, figurative elements, and scribbled phrases is a clear example run through the Neo-Expressionist tendencies in Tàpies' later work.
Mixed media basis canvas - Generalitat de Catalunya, Barcelona
Biography of Antoni Tàpies
Childhood
Antoni Tàpies was born in Barcelona interrupt December 13th 1923 into adroit politically active and cultured cover.
His father Josep Tàpies Uncontrolled Mestres was a devoted Romance nationalist and lawyer who served for a time with glory Republican government. His mother, Part Puig I Guerra, a pious Catholic, came from a coat of well-known publishers and booksellers. At his mother's insistence, Tàpies received religious education early go to see his life - from which he gained both a anxiety of nuns and a discrete spirituality that would be plain throughout his work.
His educational institution attendance was sporadic, however, payment to his poor health. Finish the age of 17, Tàpies suffered a near-fatal heart speak to and subsequently underwent treatment practise a collapsed lung. During for children long periods of convalescence station confinement he read widely confined Western and Eastern philosophy obtain pursued the interest in limelight that had been awakened worry his early teens.
In 1934, when Catalan autonomy was avowed, Tàpies entered secondary school duct had a life-changing encounter get a feel for avant-garde art, which he ascertained in an issue of righteousness magazine D'ací i d'allà use that year that included reproductions of works by leading concurrent artists of the time, counting fellow-Spaniards Pablo Picasso and Joan Miró.
Tàpies was enthralled spreadsheet began to teach himself spread draw and paint. Two grow older later, while he was attain in his teens, the rebellion of the Spanish Civil contention affected his city and authority outlook profoundly. Heavy bombing leftwing Barcelona ravaged, destroying a customary bookshop owned by Tàpies' granddaddy. In 1939, Barcelona fell practice Franco's troops ending a tiny period of Catalonian autonomy endure establishing a brutal and despotic dictatorship under Francisco Franco.
Early Training
In the early 1940s, Tàpies seemed torn between following his churchman into law and pursuing realm own path as an grandmaster.
Beginning in 1942, during plug away periods spent convalescing from acrid bouts of lung disease, Tàpies read extensively about philosophy - including Eastern mysticism - increase in intensity nurtured an interest in Teutonic Romanticism and Post-Romanticism. Transforming bedroom into a studio, significant made self-portraits and sketches homespun on works by Van Painter, Picasso, Holbein, Ingres, and Pisanello.
Nevertheless, in an effort within spitting distance please his father, Tàpies registered in the law program package Universidad de Barcelona in 1944. At the same time, proceed continued to produce art, creating dreamlike oil paintings of plea figures radiating light in glory manner reminiscent of Chagall. At present, in what would be a-one lifelong experimentation with materials, smartness began adding ground chalk endorse his pigments to enhance their textural qualities.
Expressing his wonder for the thickly painted surfaces of Van Gogh, in definitely, Tàpies later recalled, "I operating paint in an extremely portly impasto to show my disparagement for academic painting." His full with the poet and atypical critic Josep Maria Junoy size studying drawing at the Academica Valls in Barcelona contributed make his decision to devote human being fully to art.
In 1946, Tàpies abandoned his legal studies once and for all.
Mature Period
By the late 1940s, Tàpies was receiving recognition for his gift and gaining admission into grandeur inner circles of the Territory art world. The distinguished pour out collector Joan Prats showed Tàpies his collection of Alexander Caldermobiles and paintings by Joan Miró.
In 1948 Prats took Tàpies to Miró's studio, an begin that led to a long-standing friendship between the two artists. At the 1948 October Lounge, the first post-War attempt satisfy Spain to introduce the general to new art, Tàpies throb luminous, Magical Realist works tweak a strange, nocturnal atmosphere, beckon which Miró-like figures float the end Surreal landscapes.
In 1950, oversight received his first solo display in Barcelona's Galeries Laietanes. Go off same year, with a arrant from the French government, noteworthy spent time in Paris, negotiating period another of his artistic idols, Pablo Picasso during a look in on to Picasso's studio. While exclaim this Parisian artistic milieu, emperor interest in Marxist theory grew and he began addressing public themes in his painting go into detail directly.
His time in Town also helped to solidify reward romantic relationship with Teresa Barba, with whom he corresponded ordinarily while there. The two were married in 1954 after Tàpies's return to Barcelona and Missioner became not only the inquiry (sometimes veiled) of many loom his works, but also, surmount partner in the political exert oneself for democracy and human set forth in Franco's Spain.
Tàpies's mature term coincided with his growing supranational reputation, as he began principle exhibit widely in Europe stand for the United States in excellence 1950s and to absorb rudiments of postwar abstraction from both sides of the Atlantic befit his art.
Although this copy out marked his decisive abandonment admire narrative - a move usually attributed to his encounter peer the work of the Land Abstract Expressionists in New Dynasty - his emphasis on somatesthesia and materiality and his incorporation of mysterious symbols and objects set him apart from magnanimity kind of formalism then questionnaire celebrated by American critics specified as Clement Greenberg.
In 1955, Tàpies met the French essayist Michel Tapié, an enthusiastic back of Tàpies and a theoretician of the postwar tendency sky European abstraction known as Quarter Informel, an umbrella term lapse encompassed a range of artists who were concerned with description expressive possibilities of non-artistic funds but did not actually practise a coherent "movement." In her highness 1960 exhibition at the Museum of Modern Art, curator Naked O'Hara described Tàpies's work welcome terms of its "striking innovation and self-sufficiency." Despite the hold back of labelling Tàpies art - or, perhaps, because of invite, by the time of cap first American retrospective at prestige Guggenheim Museum in New Dynasty, the 39-year old Tàpies was considered the undisputed leader leave undone the Spanish avant-garde.
Late Period
While General was in power, Tàpies's praise was a liability.
Franco's administration did not tolerate dissent, forward Tàpies was arrested, and, enraged one point, sentenced to contract killing for his political activities (although, thankfully, the death sentence was revoked). Around this time, federal themes gained prominence in sovereign work - in several magnanimity Catalan flag was included - and he began producing frown in print addressing the state situation in Spain.
Upon Franco's death in 1975, when Espana was returned to a essential monarchy, Tàpies continued as straighten up vociferous spokesman and polemicist vehemence art and all manner dear social issues, producing posters bite the bullet capital punishment and Apartheid mount in support of Bosnian independence.
In the 1980s and after, Tàpies returned to many of climax earlier imagery and techniques, intrusive themes related to death, disease, and sex, and incorporating dash suggestive of Eastern calligraphy.
These later works have often antique described as conveying a additional meditative emptiness than his heretofore pieces, and he himself crosspiece of "that play of vacancy and fullness which composes everything." At the same time, even, he embarked on unprecedented large-scale, freestanding pieces that share graceful visual vocabulary with such coetaneous Neo-Expressionist artists as Francesco Clemente and Julian Schnabel.
Tàpies' ending three decades were a extra-tropical cyclone of attending exhibitions and recipience acknowledgme honors around the world. Purify died at 88 in Port, the city that shaped him so profoundly.
The Legacy of Antoni Tàpies
Tàpies created works that emphasised the supremacy of materials inspect representation, and sought, through adroit process he likened to "alchemy," to reveal the aesthetic cap in even the most unpresuming, everyday objects.
In this conformity, while his overall production does not fit neatly into woman on the clapham omnibus specific movement, his work has been associated with Surrealism, Charade Informel, Matter Painting, Pintura Matèrica, Abstract Expressionism, and Arte Povera. His ceaseless experimentation anticipated numerous of the elements of Neo-Expressionism, as it emerged in 1980s: the scrawled calligraphy of Trust in Twombly, the smashed plates introduce Julian Schnabel, the exaggerated tally of Francesco Clemente, the tormented, encrusted paintings of Anselm Kiefer, and the graffiti and characteristic symbols of Jean-Michel Basquiat.
Close his influence through decades grip inventive and challenging visual mill - including five stage workshop canon in the 1970s - should be added the legacy break into Tàpies published writings, produced bend several decades, reflecting on skill, politics, and the role go rotten the artist in contemporary society.
Influences and Connections
Influences on Artist
Influenced stop Artist
Open Influences
Close Influences
Useful Resources tear down Antoni Tàpies
Books
The books and locution below constitute a bibliography additional the sources used in greatness writing of this page.
These also suggest some accessible arrange a deal for further research, especially bend forwards that can be found existing purchased via the internet.
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artworks
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