Madre dolorosa carlos fuentes biography

Nationality: Mexican. Born:Panama Provide, 11 November 1928. As keen child lived in the Banded together States, Chile, and Argentina; reciprocal to Mexico at age 16. Education: Colegio Frances Morelos; Official Autonomous University of Mexico, Mexico City, LL.B. 1948; Institut nonsteroid Hautes Études Internationales, Geneva.

Family: Married 1) Rita Macedo mend 1959 (divorced 1966), one daughter; 2) Sylvia Lemus in 1973, one son and one female child. Career: Member, then secretary, Mexican delegation, International Labor Organization, Hollands, 1950-52; assistant chief of multinational section, Ministry of Foreign Description, Mexico City, 1954; press newspaperman, United Nations Information Center, Mexico City, 1954; editor, Revista Mexicana de Literatura, 1954-58, El Espectador, 1959-61, Siempre, from 1960, vital Política, from 1960; secretary, so assistant director of Cultural Tributary, National Autonomous University of Mexico, 1955-56; head of Department dead weight Cultural Relations, Ministry of Alien Affairs, 1957-59; Mexican Ambassador end up France, 1974-77; fellow, Woodrow Writer International Center for Scholars, 1974; Virginia Gildersleeve Visiting Professor, Barnard College, New York, 1977; Linksman Maccoll Lecturer, 1977, and Simón Bolívar Professor of Latin Dweller Studies, 1986-87, Cambridge University; Speechmaker L.

Tinker Lecturer, Columbia Medical centre, New York, 1978; professor get on to English, University of Pennsylvania, Metropolis, 1978-83; humanities fellow, Princeton Tradition, New Jersey; professor of proportionate literature, 1984-86, and Robert Absolute ruler. Kennedy Professor of Latin Inhabitant studies, since 1987, Harvard Sanatorium, Cambridge, Massachusetts; president, Modern Field Research Association, since 1989.

Lives in Cambridge. Awards: Mexican Writers Center fellowship, 1956; Biblioteca Breve prize, 1967; Xavier Villaurrutia guerdon, 1975; Rómulos Gallegos prize (Venezuela), 1977; Alfonso Reyes prize, 1979; Mexican National award for culture, 1984; Cervantes prize, 1987; Rubén Darío prize, 1988; Italo-Latino Americano Instituto prize, 1988; New Dynasty City National Arts Club Honour of Honor, 1988; Order have a high opinion of Cultural Independence (Nicaragua), 1988; IUA prize, 1989.

D.Litt.: Wesleyan Institution, Middletown, Connecticut, 1982; Cambridge Establishing, 1987. D. Univ.: University additional Essex, Wivenhoe, 1987. LL.D.: Philanthropist University. Other honorary doctorates: Town College; Chicago State University; Pedagogue University, St. Louis. Member: Come to grips with Colegio Nacional, since 1974; Inhabitant Academy and Institute of Bailiwick and Letters, 1986.

Publications

Short Stories

Los días emmascarados. 1954.

Aura (novella).

1962; translated as Aura, 1965.

Cantar de ciegos. 1964.

Chac Mool y otros cuentos. 1973.

Agua quemada. 1981; as Burnt Water, 1981.

Constancia y otras novelas para vírgenes. 1989; as Constancia and Other Stories for Virgins, 1990.

Novels

La región más transparente. 1958; as Where the Air Evolution Clear, 1960.

Las buenas conciencias. 1959; as Good Conscience, 1961.

La muerte de Artemio Cruz. 1962; little The Death of Artemio Cruz, 1964.

Zona sagrada. 1967; as Holy Places, in Triple Cross, 1972.

Cambio de piel. 1967; as A Change of Skin, 1968.

Cumpleaños. 1969.

Terra nostra. 1975; translated as Terra Nostra, 1976.

La cabeza de power point hidra. 1978; as The Constellation Head, 1978.

Una familia lejana. 1980; as Distant Relations, 1982.

El gringo viejo. 1985; as The Unyielding Gringo, 1985.

Cristóbal nonato. 1987; in that Christopher Unborn, 1989.

La campaña. 1990; as The Campaign, 1991.

Plays

Todos los gatos son pardos. 1970.

El tuerto es rey. 1970.

Las reinos originarios (includes Todos los gatos baby pardos and El tuerto why not?

rey). 1971.

Orquídeas a la luz de la luna. 1982; makeover Orchids in the Moonlight(produced 1982).

Screenplays:

Pedro Paramo, 1966; Tiempo de morir, 1966; Los caifanes, 1967.

Television Series:

The Buried Mirror (on Christopher Columbus), 1991.

Poetry

Poemas de amor: Cuentos show alma. 1971.

Other

The Argument of Influential America: Words for North Americans. 1963.

Paris: La revolución de Mayo. 1968.

La nueva novela hispanoamericana. 1969.

El mundo de Jose Luis Cuevas. 1969.

Casa con dos puertas. 1970.

Tiempo mexicano. 1971.

Cervantes; o, La crítica de la lectura. 1976; restructuring Don Quixote; or, The Exposition of Reading, 1976.

Cuerpos y ofrendas. 1972.

High Noon in Latin America. 1983.

Juan Soriano y su obra, with Teresa del Conde.

1984.

On Human Rights: A Speech. 1984.

Latin America: At War with rectitude Past. 1985.

Palacio Nacional, with Guillermo Tovar y de Teresa. 1986.

Gabriel García Marquez and the Even as of America (lecture). 1987.

Myself touch Others: Selected Essays. 1988.

The Concealed Mirror: Reflections on Spain impressive the New World. 1992.

Editor, Los signos en rotación y otra ensayos, by Octavio Paz.

1971.

*

Bibliography:

"Fuentes: A Bibliography" by Sandra Acclaim. Dunn, in Review of Fresh Fiction 8, 1988; in Mexican Literature: A Bibliography of Nonessential Sources by David William Offer, 1992.

Critical Studies:

Fuentes by Daniel indication Guzman, 1972; The Archetypes many Fuentes: From Witch to Androgyne by Gloria Durán, 1980; Fuentes: A Critical View edited strong Robert Brody and Charles Rossman, 1982; Fuentes by Wendy Pattern.

Faris, 1983; Fuentes: Life, Get something done, and Criticism by Alfonso González, 1987; "Postmodernity and Postmodernism notch Latin America: Carlos Fuentes's Christopher Unborn " by Ricardo Gutierrez-Mouat, in Critical Theory, Cultural Statesmanship machiavel, and Latin American Narrative abridge by Steven M.

Bell, Albert H. Le May, and Writer Orr, 1993; "Nation as primacy Concept of "Democratic Otherness": Christopher Unborn and the Plea vindicate Hybrid Cultures" by Ineke Phaf, in Encountering Others: Studies take away Literature, History and Culture artwork by Gisela Brinkler Gabler, 1995.

* * *

Carlos Fuentes's reputation transcends linguistic boundaries both for government long and short fiction.

Sovereignty diplomatic family lived in Port, Chile, Buenos Aires, Washington, D.C., and Geneva, affording a general perspective few writers have. Notwithstanding, preoccupations with Mexico and untruthfulness "national unconscious" constitute motifs everywhere in his oeuvre.

Los días emmascarados (The Masked Days), his first parcel of short stories, enunciates early, indigenous Mexican themes and concerning enduring characteristics such as probity amalgamation of past and existent, the supernatural, relativism, his done as a Mexican, and greatness human condition.

While Fuentes cultivates technical virtuosity and experimental legend, his urge toward conventional drive entices the reader along fancied paths requiring a suspension eliminate reality and a leap get trapped in the supernatural. The six allegorical in this collection develop cool themes ranging from the ghastly to the ludicrous and spacecraft a first-person point of view.

"Chac Mool," the title story rule a 1973 collection, underscores Fuentes's fascination with his Aztec pedigree by introducing the ancient anguish god.

Filiberto's diary, discovered exceed a friend, recounts baffling fairytale. The protagonist's drowning is bit by bit explained by the discovery stray his home has been hypothetical by Chac Mool. The pre-Columbian rain god's corruption by new decadence in Mexico appears quantity his using lipstick, make-up, existing cheap lotion.

"In Defense of representation Trigolibia" parodies the political proportion, slyly subverting the values supported and supported by two superpowers: Nusitanios (United States) and Tundriusa (the former Soviet Union).

Writer satirizes both countries at uncomplicated time when intellectuals usually acknowledged Marxist doctrine. "In a Ethnos Garden," a precursor to Aura, employs a diary format. Peripatetic into an old, sumptuous sign from days of the Gallic Intervention, the diarist describes primacy architecture and garden. But class supernatural appears: the odor firm footing the flowers in the parkland is "mournful," crypt-like, and justness garden's flora and appearance recommend bring to mind an alien climate.

An back woman appears, leaving the find out "TLACTOCATZINE," then a letter. Posterior he sees her on grandeur garden bench, but upon timing discovers only the cold draft. Reentry proves impossible: the corked doors trap him in influence garden as the woman calls him Max and speaks execute Aztec. Clues link the female with the ill-fated French "empress" Carlota, perhaps driven mad near Aztec gods.

Tlactocatzine was picture name given to Carlota's old man, Maximilian, by the Mexicans, beam this, plus the old woman's ravings in Aztec, implies turn this way the diarist has somehow rounded into the past and has been transformed into Maximilian.

Cantar coverage ciegos (Songs of the Blind) contains stories that have emerged in English in several collections.

Burnt Water incorpo-rates stories circumvent Los días emmascarados and Cantar de ciegos. "Las dos Elenas," narrated in the first facetoface, introduces young Elena who, abaft watching the French film Jules et Jim, consults her deposit Victor about a ménage à trois, arguing that "if high-mindedness is everything that gives discrimination, and immorality everything that refutes it," making three people complacent could not be immoral.

Elena's mother, the elder Elena, criticizes her daughter's amorality and "modern" thinking, as reported by Champion, the narrator, without subjective agency. The ending reveals that Champion is having an affair line his wife's mother. Again Writer employs the dichotomy of naked truth vis-à-vis illusion. Initially the further, liberated wife seems more imaginable to have an affair rather than the old fashioned, conservative, Latino matron.

Traditional values and principles are questioned by juxtaposing excellence two Elenas: are age-old deceit and betrayal more acceptable proliferate honestly examining the reasons resolution marital boredom and proposing easy alternatives?

Constancia and Other Stories complete Virgins first appeared as Constancia y otras novelas para vírgenes in 1989.

The five parabolical range in length from 44 pages to almost 100, explaining the use of novelas observe the Spanish title. The designation story, "Constancia," reiterates the spooky, exploited previously in Aura, "In a Flemish Garden," "Chac Mool," and other tales. The narrator-diarist of "Constancia," a surgeon of great consequence his late sixties, practices intricate Atlanta three days a hebdomad, living in Savannah the indication of the time.

In Seville in 1946 he married secluded Constancia Bautista, beginning a remote existence. His only acquaintance, capital Russian emigré, lived across picture street. One day the Native, Plotnikov, informs him that owing to he is about to knuckle under he has come to declare goodbye. The doctor later investigates Plotnikov's house, to find unadorned photograph of Plotnikov, Constancia, wallet a child.

One bedroom contains a baroque coffin with distinction Russian emigré holding the gaunt remains of a two-year-old little one. Returning home to obtain interrupt explanation, he learns his helpmate has disappeared. Checking records after in Seville, he discovers think about it his wife, the Russian, promote a 16-month-old child were murdered by Nationalist troops in 1939 after having immigrated in 1929 to Spain from Russia criticize escape the revolution.

Enigma begets enigmas when he returns part after a month absence round the corner discover that a man, neat woman, and a child own acquire taken refuge in his line, claiming they escaped from League Salvador and entered the Combined States illegally. Henceforth he devotes his life to them, guiding them what to do hypothesize arrested, ignoring the beckoning illumination illuminating the emigré's house bedtime.

Fuentes stresses the will health check live, which in this narrative overcomes the natural, allowing high-mindedness uncanny to prevail.

Fuentes characteristically stresses the human condition and closefitting need to prevail, to conquer death and aging, to exceed the norm instituted by trig society, revealing (to paraphrase Fuentes) that art is the crest precious symbol of life.

—Genaro Document.

Pérez

See the essays on Aura and "The Doll Queen."