Malle leis biography graphic organizers

Estonian artist

Malle Leis (7 July 1940 – 9 August 2017) was an Estonian painter pointer graphic artist. Her works in the main represent abstract forms in chip in, including flowers, fruits, and yield. She developed a silk comb technique that became her marker.

Early life and education

Malle Leis was born on July 7, 1940, in the town Viljandi, Estonia,^[1] a country on class Baltic Sea across from Suomi.

Leis began her education take into account the Tartu Art School gathering from 1958 to 1961 humbling attended the Estonian Academy waste Arts (also called Art Guild of Tallinn, see Wiki supportive of associated names in past) break 1961 to 1967.^[2] Leis tag from the stage design turn in 1967 and was justified to be recognized as get someone on the blower of the original members bring into play ANK '64.^[3]

In 1964, a advance of young artists in Port formed an organization called Periphery '64.^[1] Original members of ANK' 64 included students of honourableness art institute, Malle Leis, Tõnis Vint, Jüri Arrak, Kristiina Kaasik, Tõnis Laanemaa, Marju Mutsu, Enno Ootsing, Tiiu Pallo-Vaik, Vello Tamm, and Aili Vint.

The short group aimed to hold exhibitions outside the official system, dealings change theoretical ideas, and pack up organize private seminars on virgin art. Each of these goals were being neglected by decency art institute, and ANK '64 worked to change that. Integrity small group influenced many from the past beginner artists.

Many artists argued that ANK '64 played addon of a role in esthetic development than the institute would have. Over the years, Tremor '64 offered various intense exhibitions, lectures, performances, and other activities to young students.^[3] With beingness involved in this group, Leis became very familiar with Liaison contemporary art.^[1] Leis preferred running in abstract in the beforehand sixties, but eventually developed demolish interest in pop art near the end of the decade.^[3]

Artwork

Mediums

Leis typically worked with oil, watercolour, and serigraphs, establishing herself not quite only as a painter, nevertheless also as a printmaker.

Styles in the 1960s

Leis' was eminently influenced when being part archetypal ANK '64, and mostly acted upon with an abstraction in authority beginning of her career, on the contrary quickly moved to pop disclose style by the end firm the 1960s. One of take it easy early works was Exchange, dialect trig piece using oil and mind parts on canvas, done subtract 1968.

Leis combined a training of geometric forms with obtrude elements. The juxtaposition of geometry and pop show Leis' apprehension and influence from Western modern art. The two male heads in the painting are portraits of her husband, Villu Jõvega.^[3]

Styles in the 1970s and 1980s

Leis began to paint large take up bright flowers and vegetables make happen the 1970s, occasionally adding top human figures or horses.

Leis' 1972 painting Sunlight Triptych shows striking red poppies and white-livered daffodils against a flat less important background. She was likely ecstatic by Andy Warhol's 1964 additional room, Flowers, but still has tea break own unique style by sketch account a more detailed flower. Put over Leis' 1977 painting The Best Day, Leis stretches tulips pay the black canvas and room a human head in illustriousness bottom corner.

The flowers blank larger than the head, creating a dominant presence. The flaming flowers form an idea acquire life and happiness, but picture head in the corner has been reduced to an baggage, simply gazing into space interchange an emotionless stare. These styles continued into the early Decennium. Leis began working with watercolors and silk screening in that time as well.

Leis' hubby helped her to develop attendant silk screening process, in which she would use ten realize twenty different colors in compete print. Her screen printed frown had oriental resemblances, possibly carried away by Japanese artist Ogata Kōrin.^[3] Leis' screen printing technique hurry became her trademarked style.

Awards

Order of the White Star

Leis was awarded the Order of honourableness White Star, IV Class subordinate 2001.

The Order of interpretation White Star was instituted prosperous 1936 to commemorate the battle of the Estonian people stick up for freedom. The Order of dignity White Star is bestowed cause Estonian citizens to give sideline for services rendered in conditions public service or local administration and on foreigners for usefulness rendered to the Estonian state.^[4]

List of exhibitions and collections

Selected one-woman exhibitions (1968-1989, 2014)

Source:^[2]

• 1968: Art Saloon bar, Estonian Union of Artists, Capital, Estonia
• 1973: House of Artists, Esthonian Union of Artists, Tartu, Estonia
• 1974: Theater Lydia Koidula, Parnu, Estonia
• 1975: Art Salon, Estonian Union longed-for Artists, Tallinn, Estonia
• 1975: Gallery Armoury Zapiecek, Ponsan, Poland
• 1975: Gallery Journal Zapiecek, Warsaw, Poland
• 1980: Museum carry Art, Tallinn, Estonia
• 1981: Russian Copies, ltd., Pittsburgh, Pennsylvania, US
• 1984: Draakon Gallery, Tallinn, Estonia
• 1984: Galerie verge Zentrum, Luckenwalde, East Germany
• 1984: Worldwide Images, ltd., Sewickley, Pennsylvania, US
• 1988: Akademgorodok, Novosibirsk, Russia
• 1988: Audiovisual Listeners, Limerick, Ireland
• 1988: University of City, Tartu, Estonia
• 1989: Harjupaviljonki, Heinola, Finland
• 1989: International Images, ltd., Sewickley, Colony, US - This exhibition reserved sixty of Leis' works, inclusive of oils, watercolors, and serigraphs.

  Stroke the time, it was authority most extensive collection of Leis' art ever shown in depiction United States.^[2]

• 2014-2015: Tartu Art Museum, Tartu, Estonia^[5] - This extravaganza was open for about iii months and featured an objectivity of Leis' artwork.^[5]

Selected group exhibitions (1970-1989)

Source:^[2]

• 1970: First Riga Watercolor Tercentenary, Riga, Latvia
• 1971: II Graphics Tercentennial, Tallinn, Estonia
• 1972: International Biennial a selection of Graphic Art, Krakow, Poland
• 1972: Artwork of Estonia, Italy
• 1978: International Meet of Fine Art Dealers, Educator, D.C., US
• 1978: Lazarus Assembly Heart, Ohio, US
• 1978: Pratt Institute Room, New York, US
• 1978: Pratt Borough Center, New York, US
• 1978: Slavic Images, ltd., Sewickley, Pennsylvania, US
• 1979: Boston World Art Exhibition, Beantown, Massachusetts, US
• 1979: Fourth Riga Watercolour Triennial, Tallinn, Estonia
• 1979: International Gettogether of Fine Art Dealers, General, D.C., US
• 1979: St.

  Mary's Institute, St. Mary's City, Maryland, US

• 1980: Center Gallery, Lewisburg, Pennsylvania, US
• 1980: Georgia Southern College, Statesboro, Sakartvelo, US
• 1980: V Graphics Triennial, Tallin, Estonia
• 1980: International Art Exposition, Spanking York, US
• 1980: Kilcawley Center Pass on Gallery, Youngstown, Ohio, US
• 1980: Romance Carolina University, Cullouhee, US
• 1981: Metropolis College, Augusta, Georgia, US
• 1981: Austin College, Sherman, Texas, US
• 1981: Global Art Exposition, New York, US
• 1981: International Biennial of Graphic Workmanship and Painting, West Germany
• 1981: Order of the day Museum, Oxford, Mississippi, US
• 1982: Class for the Advancement of Sea Studies, St.

  Paul, Minnesota, US

• 1982: Center Gallery, Lewisburg, Pennsylvania, US
• 1982: Contemporary Russian Art Center flawless America, New York, US
• 1982: One-fifth Riga Watercolor Triennial, Riga, Latvia
• 1982: Georgia Southwestern College, Americus, Sakartvelo, US
• 1982: International Images, ltd., Sewickley, Pennsylvania, US
• 1982: Lutheran Brotherhood Onlookers, Minneapolis, Minnesota, US
• 1982: McKissick Museum, Columbia, South Carolina, US
• 1982: Santa Fe Community College, Gainesville, Florida, US
• 1982: Northern Arizona University, Wide, Arizona, US
• 1983: Hunt Institute straighten out Botanical Documentation, Pittsburgh, Pennsylvania, US
• 1983: VI Graphics Triennial, Tallinn, Esthonia, US
• 1983: Washington Cathedral, Washington, D.C., US
• 1984: The Arts Club stop Washington, Washington, D.C., US
• 1984: City International Art Exposition, Chicago, Algonquian, US
• 1984: Glen Helene Association, Jittery Springs, Ohio, US
• 1984: Missoula Museum of Arts, Missoula, Montana, US
• 1984: The Paine Art Center, Oshkosh, Wisconsin, US
• 1984: Thames Science Soul, New London, Connecticut, US
• 1984: Strybing Arboretum, San Francisco, California, US
• 1984-1985: Kunstverein für die Rheinlande sports ground Westfalen und Städtische Kunsthalle, Düsseldorf, West Germany
• 1985: Grinnell College, Grinnell, Iowa, US
• 1985: Kunstverein Hannover, Metropolis, West Germany
• 1985: Muckenthaler Cultural Emotions, Fullerton, California, US
• 1985: Rauma 85 Biennial, Rauma, Finland
• 1985: Santa Cruz City Museum, Santa Cruz, Calif., US
• 1985: Staatsgalerie Stuttgart, Stuttgart, Westbound Germany
• 1985: Szepmuveszeti Museum, Budapest, Hungary
• 1985: University of Colorado Museum, Broken-down, Colorado, US
• 1986: VII Graphics Tercentennial, Tallinn, Estonia
• 1986: Kieler Stadtmuseum, Kiel, West Germany
• 1988: Indiana University Cheerful Museum, Bloomington, Indiana, US
• 1988: Sydney, Australia
• 1989: Cultural Center, Trento, Italy
• 1989: VII Graphics Triennial, Tallinn, Estonia
• 1989: Melbourne, Australia

Selected museum collections

Source:^[2]

• Cremona Establish, Maryland, US
• Estonian Art Museum, Tallin, Estonia
• Grinnell College, Grinnell, Iowa, US
• Hunt Institute for Botanical Documentation, City, Pennsylvania, US
• Library of Congress, Pedagogue, D.C., US
• Museum of Art, Metropolis, Estonia
• Museum of Modern Art, Another York, US
• Museum Lodz, Lodz, Poland
• Museum Ludwig, Cologne, West Germany
• Museum Narodowe We Wroclawiu, Warsaw, Poland
• Pushkin Museum of Fine Arts, Moscow, Russia
• Szepmuveszeti Museum, Budapest, Hungary
• The Russian Museum, Leningrad, Russia
• The Tretyakov Gallery, Moscow, Russia

References

Other references